Publishers Weekly Review
"A mix of old-line Commies, red-diaper babies,
and more recent Russian emigres . . . engaging."
"Tamar Gillespie, a young artist with a disabled
husband, lives in a rural Connecticut village . . .
and paints dog portraits for a living. The village
population includes Ultra-Orthodox Jews as well
as old Communists and red-diaper babies who
consider Prague Spring a betrayal. When the
community board offers a run-down house to a
family of Jewish refugees from the new Russia, old
political feuds reappear. . . . Historical-mystery
readers who enjoy political debates will find much
to appreciate here."
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